Legal issues arising from the RIAA's lawsuits of intimidation brought against ordinary working people, and other important internet law issues. Provided by Ray Beckerman, P.C.
The parties have stipulated to treat as confidential the royalty statements SONY BMG is turning over to defendant's counsel in UMG v. Lindor.
These are part of the discovery into plaintiffs' expenses per download, ordered by the Magistrate Judge last November, which are needed in order to determine what actual damages, if any, plaintiff sustained.
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In UMG v. Lindor, the RIAA has served new subpoenas and deposition notices calling for depositions of additional relatives of the defendant, one residing in Illinois, one in Connecticut.
Ms. Lindor has moved to quash, terming the new subpoenas a "fishing expedition".
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Keywords: digital copyright law online internet law legal download upload peer to peer p2p file sharing filesharing music movies indie independent label freeculture creative commons pop/rock artists riaa independent mp3 cd favorite songs intellectual property
OurStage is a site which permits any musician or filmmaker to put his or her work on line, and have it exposed to the world at large (presently more than a milliion "uniques" per month) for competitive judging, commentary and feedback, the opportunity to win prizes and mentor opportunities, and other good reasons to post their work product.
I asked Jessica if musicians can sell their whole songs there, too. She said sure, it's 99 cents per download, of which the musician gets 80 percent... but she then wrote in and corrected herself: the artist actually gets all 99 cents -- or 100% -- of the total purchase price.
So any musician could go to OurStage.com, get free exposure for his or her music, and even sell his music to the public, receiving all of the purchase price.
And anyone who likes music can go there, listen to their heart's content, buy something if they like it, and be sure that what they spend goes right into the artist's pocket, where it belongs.
Four questions:
1. In such a world, who needs record companies?
2. If people don't need record companies, wouldn't record companies have to somehow make people want to do business with them?
3. Who thinks the RIAA's litigation campaign is a way of making musicians want to do business with the Big Four record companies?
4. Who thinks the RIAA's litigation campaign is a way of making music lovers want to buy their music from the Big Four record companies?
Anyone who can't figure out the rather obvious answers to those 4 questions, doesn't deserve to be running a record company. (Or should I say "running a record company into the ground")?
-R.B.
Keywords: digital copyright law online internet law legal download upload peer to peer p2p file sharing filesharing music movies indie independent label freeculture creative commons pop/rock artists riaa independent mp3 cd favorite songs intellectual property
RIAA tactics to combat piracy again in question Commentary: Recording association, Tony Soprano -- not much difference? By Therese Poletti, MarketWatch Last update: 12:01 a.m. EDT March 20, 2008
SAN FRANCISCO (MarketWatch) -- As any fan of "The Sopranos" knows, the mob often takes out its enemies in a gruesome fashion as a way to warn others to fall in line.
The same can be said of the campaign over the past four years instigated by the dreaded Recording Industry Association of America, more commonly known as the RIAA, which has been on a mission to stop or slow down the practice of illegal music downloading online.
Their special target, as most people know, has been college students, with some seeing their very education come under threat for what used to be a time-honored tradition -- copying their friends' music.
That copying, of course, has taken on a much larger scale with the Internet, which allows students to share songs and albums by the thousands -- often without paying a dime.
"This is a form of tough love," said Jonathan Lamy, a spokesman for the RIAA in Washington, which is made up of the biggest music industry labels. Last February, in an effort to step up the pace, the RIAA began sending "pre-lawsuit letters" to universities, which then forward them on to students associated with certain Internet accounts in question. The RIAA asks first for a few thousand dollars in payment and warns that the computer owner could face a federal lawsuit.
No room for negotiation
Much like the New York mob family in "The Sopranos," the RIAA is trying to send a blunt message -- that downloading free music using peer-to-peer networks could cost them dearly.
I don't condone music piracy, but the RIAA's tactics are nearly as bad as the actions of mobsters, real or fictional. The analogy comes up easily and frequently in any discussion of the RIAA's maneuvers.
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In both Elektra v. Barker and Warner v. Cassin, the two Southern District of New York cases in which motions to dismiss the complaint -- attacking the RIAA's "making available" theory and the lack of factual allegations of downloading and distributing-- are pending, the RIAA has sought to lift the stays of discovery which are now in effect, and has asked the judges to proceed with pretrial discovery, even though there has been no decision of either of the dismisal motions.
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Keywords: digital copyright law online internet law legal download upload peer to peer p2p file sharing filesharing music movies indie independent label freeculture creative commons pop/rock artists riaa independent mp3 cd favorite songs intellectual property
Ms. Stubbs is represented by Marilyn Barringer-Thomson, the Oklahoma City lawyer who obtained a $68,685.23 attorneys fee award against the RIAA in Capitol v. Foster.
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In its new boilerplate complaint (you know, the one it started using when Judge Brewster dismissed the old one in Interscope v. Rodriguez, 2007 WL 2408484) the RIAA makes the following allegation:
Plaintiffs identified an individual using LimeWire on the P2P network Gnutella at IP address 68.105.100.130 on October 2, 2005 at 05:21:57 distributing 330 audio files over the Internet. (emphasis added)
(Quotation from amended complaint in Interscope v. Rodriguez).
According to news accounts (no transcript has been prepared yet!) the same concession was made by Jennifer Pariser, SONY BMG's litigation chief, in her testimony during the Capitol v. Thomas trial.
So I have 2 questions:
1. Can someone out there give me a good reason why the allegation in the new complaint that plaintiffs "identified an individual", which the plaintiffs and their counsel have repeated in thousands of complaints since October 2007, and which their witnesses have admitted is untrue, is not a flagrant violation of Fed. R. Civ. P. 11?
2. Can someone out there give me a good reason why a Rule 11 motion should not be one of the first things on the "to do" list of a defendant's lawyer in a new RIAA case?
-R.B.
Keywords: digital copyright law online internet law legal download upload peer to peer p2p file sharing filesharing music movies indie independent label freeculture creative commons pop/rock artists riaa independent mp3 cd favorite songs intellectual property
This is an open letter to the representatives of the press.
Now that the class action against the nefarious practices of the RIAA and its investigators, collectors, and big 4 record companies, Andersen v. Atlantic is about to begin in earnest, as pretrial discovery gets underway, it is predictable that:
1. The defendants' lawyers will stonewall to the maximum extent possible, and will fight for extraordinary gag orders and confidentiality orders on EVERYTHING learned in the discovery process; and
2. Their reason for doing so will be to keep the information from becoming public knowledge and to keep the lawyers for the defendants in the copyright infringement cases from getting their hands on that information, since it will support affirmative defenses and counterclaims, and otherwise complicate the RIAA's oppressive litigations.
It is up to you, the press, to fight for the First Amendment and the public's right to know.
The plaintiffs' lawyers will not be able to do that and will be under pressure to agree to stipulations and the like.
You and your employer's attorneys should be monitoring the Atlantic v. Andersen case closely, and when the RIAA starts playing its 'secrecy games', even if the plaintiffs' lawyers are forced to agree to secrecy, it is imperative that you go into court and represent the right of the people to have access to judicial proceedings.
If you do not do it, no one else will. And if you do not do it, you will have nothing to report on.
-R.B.
Keywords: digital copyright law online internet law legal download upload peer to peer p2p file sharing filesharing music movies indie independent label freeculture creative commons pop/rock artists riaa independent mp3 cd favorite songs intellectual property