Tuesday, March 31, 2009

Seeqpod files for Chapter 11 bankruptcy protection, putting case on hold

Just read this report that Seeqpod has filed for Chapter 11 bankruptcy protection:

"Troubled SeeqPod Files For Bankruptcy Protection" (TechCrunch)

So much for Capitol Records v. Seeqpod




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Richard Stallman to speak in NYC tonight

Just learned that Richard Stallman will be giving a talk tonight at Cardozo Law School, in Manhattan, at 6:00 PM.

"Richard Stallman on Copyright" (p2pnet.net)



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Monday, March 30, 2009

SUNY Albany student files reply memo in support of motion for stay of RIAA subpoena in appeals court, in Arista Records v. Does 1-16

In Arista Records v. Does 1-16, the case targeting 16 students at the State University of New York in Albany, "Doe Number 3" has filed his reply memorandum, in further support of his or her motion for a stay pending appeal, responding to the RIAA's opposition memorandum, in the United States Court of Appeals for the Second Circuit.

The Appeals Court has stayed the lower court's order and the subpoena pending the determination of the motion before it.

No argument date has been set for the motion.

The defendant's appeal brief is due May 6th.

The memorandum argues:

The main shortcoming of appellees’ papers is that they do not address the concerns of an appellate court, which are not the same as those of the district courts which have been inundated with these file-sharing lawsuits. This case raises many matters of first impression at the appellate level in general, and in this Court in particular. The district court precedents are not controlling, and there are many well-reasoned cases whose holdings directly contradict those cited by the appellees.

The fact remains that of these numerous ex parte (and litigated) applications, there is little appellate guidance (and apparently none from this Court) as to how this unprecedented flood of copyright litigation should be handled by the district courts. In trying to interpret statutes enacted in the pre-internet age, district courts are essentially improvising in many respects. Given the technical issues and the significant imbalance in the resources between the RIAA and these individual defendants, there needs to be such guidance.
It further argues:
The tensions and conflicts between copyright law and the inevitable and socially beneficial advancement of computer technology and the internet raise difficult problems of law and public policy. But the proper place for the resolution of these conflicts is Congress, where the interested parties can present their arguments, not ex parte proceedings and default judgments in the federal district courts. Suing thousands of people who seldom have lawyers or the ability to defend themselves, and extorting settlements, is not the way to resolve it either, and it is seriously detrimental to the sound development of copyright law.

Moreover, the methods and technology used by the RIAA are highly questionable. Recently, some defendants have retained their own expert witness to challenge the RIAA’s expert, and that witness’s findings point out serious flaws in the process. [footnote] See the report of Professor Yongdae Kim of the Department of Computer Science of the University of Minnesota, submitted in the Thomas case, available at http://recordingindustryvspeople.
blogspot.com/2009_03_01_archive.html#1082514775121526971 (accessed March 29, 2009)[end of footnote] Moreover, even apart from battles of experts, when a technology is so flawed that it results in suits against homeless and dead people, or people without computers, or even a takedown notice directed to a laser printer, something is seriously wrong. The RIAA has frequently sued admittedly innocent persons and is quite cavalier about the burden they impose on the legal process and the federal judiciary, and the effects of such frivolous suits on their victims. Under such circumstances, a blanket rule automatically allowing the invasion of First Amendment rights in these RIAA cases would be seriously detrimental to the rights of Doe 3 and to the public interest. All of these issues justify the granting of a stay so that they can be thoroughly presented to this Court.
Defendant's reply memorandum in support of motion for stay pending appeal

[Ed. note. The more I see of Richard A. Altman, the author of this reply memorandum, the more I think he is one of the greatest lawyers I have ever known. He represents all that is good and humane and civilized about the practice of law, and is a true credit to the legal profession. To you law students and young lawyers out there, take a look at the briefs and other legal documents of Richard A. Altman in such cases as Lava v. Amurao, Lava v. Amurao II, Arista v. Does 1-16, Interscope v. Kimmel, and UMG v. Lindor; this is what lawyering is all about. I am proud to be able to call him a friend, and to be on the same side as he is in this bitter struggle. -R.B.]



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Two veteran litigation lawyers join defendant's legal team in SONY BMG Music Entertainment v. Tenenbaum

Two veteran litigators have joined the defendant's legal team in SONY BMG Music Entertainment v. Tenenbaum.

They are Matthew Kamholtz and Matthew Feinberg of the Boston firm, Feinberg & Kamholtz.

Notice of appearance of Matthew Feinberg
Notice of appearance of Matthew Kamholtz



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Sunday, March 29, 2009

Pirate Bay on Facebook? Be careful, folks, don't rise to the bait.

According to a report I just read in Mashable, Pirate Bay is coming to Facebook. Writer Ben Parr says that The Pirate Bay site now includes links under torrents to 'Share on Facebook'. Once posted to a profile, the Facebook member's friends can click the link on Facebook to begin the download right away, provided he or she already has a torrenting client installed. I just hope people do not use this feature to download copyrighted materials which are not authorized to be downloaded, or at least not materials copyrighted to litigation-happy RIAA Big 4 record labels. No doubt, if their song files were downloaded through this method, the record companies would sit back for awhile, derive profit from the promotional excitement generated for their dying industry, and then -- armed with Facebook's data -- sue the pants off all the hapless Facebook users who fell for it.

Commentary & discussion:

Slashdot
p2pnet.net
Punto Informatico (Italian)
p2pnet.net
y-net (Hebrew)




Keywords: lawyer digital copyright law online internet law legal download upload peer to peer p2p file sharing filesharing music movies indie independent label freeculture creative commons pop/rock artists riaa independent mp3 cd favorite songs intellectual property portable music player

RIAA v. The Santangelo Family, persecution of an American family by the RIAA

Our friend Jon Newton at p2pnet.net has written an interesting story recounting some of the history of the RIAA's vicious misguided persecution of Patti Santangelo and her family:

"You and I against the RIAA"



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Friday, March 27, 2009

Roger McGuinn on the importance of MP3's

(This is a reprint of a post from March 2nd. -R.B.)

Thought I would share with my readers the wise and prophetic testimony of music legend Roger McGuinn of The Byrds, in the statement he was called upon to make to the Senate Judiciary Committee on July 11, 2000:

Roger McGuinn
Songwriter\Musician
Formerly with The Byrds
on
“The Future of Digital Music: Is There an Upside to Downloading?”
before the
U.S. Senate Judiciary Committee
July 11, 2000

Hello, my name is Roger McGuinn. My experience in the music business
began in 1960 with my recording of “Tonight In Person” on RCA Records.
I played guitar and banjo for the folk group the “Limeliters.” I
subsequently recorded two albums with the folk group the “Chad
Mitchell Trio.” I toured and recorded with Bobby Darin and was the
musical director of Judy Collins’ third album. In each of those
situations I was not a royalty artist, but a musician for hire.

My first position as a royalty artist came in 1964 when I signed a
recording contract with Columbia Records as the leader of the
folk-rock band the “Byrds.” During my tenure with the Byrds I recorded
over fifteen albums. In most cases a modest advance against royalties
was all the money I received for my participation in these recording
projects.......
...........
In 1994 I began making recordings of traditional folk songs that I’d learned as a young folk singer. I was concerned that these wonderful songs would be lost. The commercial music business hasn’t promoted
traditional music for many years. These recording were all available for free download on my website http://www.mcguinn.com on the Internet.

In 1998 an employee of MP3.com heard the folk recordings that I’d made
available at http://www.mcguinn.com and invited me to place them on
MP3.com http://www.mp3.com. They offered an unheard of, non-exclusive
recording contract with a royalty rate of 50% of the gross sales. I
was delighted by this youthful and uncommonly fair approach to the
recording industry. MP3.com not only allowed me to place these songs
on their server, but also offered to make CDs of these songs for sale.
They absorbed all the packaging and distribution costs. Not only is
MP3.com an on-line record distributor, it is also becoming the new
radio of the 21st century!

So far I have made thousands of dollars from the sale of these folk
recordings on MP3.com, and I feel privileged to be able to use MP3s
and the Internet as a vehicle for my artistic expression. MP3.com has
offered me more artistic freedom than any of my previous relationships
with mainstream recording companies. I think this avenue of digital
music delivery is of great value to young artists, because it’s so
difficult for bands to acquire a recording contract.
Complete statement

Commentary & discussion:

Topix
Broken Record





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Case against Patti Santangelo's children set for settlement conference April 7th, Elektra Entertainment Group v. Santangelo II

In Elektra Entertainment Group v. Santangelo II, the case against two of Patti Santangelo's children, the Court has scheduled an April 7th settlement conference.

Order scheduling settlement conference


Commentary & discussion:

p2pnet.net




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Thursday, March 26, 2009

Comcast is NOT making any policy change & is not going along with RIAA's plan

Well now it's official.

I learned it from "ComcastBonnie" on Twitter.

Comcast is NOT going along with the RIAA's proposed new '3 strikes and you're out', ISP-as-RIAA-enforcement-cop policy.

It is continuing to follow the same policy it has followed for years: if the RIAA sends it a 'notice of alleged infringement', it will forward the notice to its customers. No more and no less.

Official Comcast announcement

Commentary & discussion:

Chron.com
ecrans (French)
FutureProducers.com





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Getting official statement from Comcast

I'm so excited. I've made contact with "ComcastBonnie", one of Comcast's official representatives on Twitter.

In a few minutes she's going to be giving us an official statement of Comcast's position vis-a-vis RIAA.



Keywords: lawyer digital copyright law online internet law legal download upload peer to peer p2p file sharing filesharing music movies indie independent label freeculture creative commons pop/rock artists riaa independent mp3 cd favorite songs intellectual property portable music player

Interesting general article on RIAA lawsuits from DuPage County Bar Association

Came across this interesting general article on the website of the Journal of the DuPage County Bar Association:

The RIAA Versus the People: A File-Sharing Witch Hunt

By Heather Neaveill

For the past five years, the Recording Industry Association of America (RIAA) has unleashed a barrage of “John Doe” lawsuits aiming at individuals who illegally file-share or download music and infringe on the recording industry’s copyrighted works. But is their tactic fair? Many defendants say ‘no.’ The RIAA’s targets are not commercial entities but private, ordinary individuals. Even some federal judges have grown tired of the RIAA’s modus operandi. The Hon. Nancy Gertner addressed counsel in open court that “counsel representing the record companies have an ethical obligation to fully understand that they are fighting people without lawyers, to fully understand that, more than just how we serve them, but just to understand that the formalities of this are basically bankrupting people and it’s terribly critical that you stop it.” Now, this is not to condone illegal file-sharing, but the question does turn on whether there should still be an element of fairness when fighting illegal activity.


Complete article

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Comcast & AT&T refusing to be RIAA enforcers?

According to this new report in p2pnet, earlier reports that AT&T agreed to act as an RIAA enforcer are incorrect, and both AT&T have Comcast have refused to do so.

[Ed. note. What's the truth? Don't ask me. If you find out, let me know. Meanwhile we should try to let our ISP's know how we feel about them becoming enforcement cops for 4 of the most dastardly corporations on the face of the earth. -R.B.]



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Wednesday, March 25, 2009

Obama DOJ files similar brief defending RIAA statutory damages theory, this time in SONY BMG Music Entertainment v. Cloud

In SONY BMG Music Entertainment v. Cloud, a Philadelphia case, the Obama Justice Department has filed a similar brief defending the constitutionality of the RIAA's statutory damages theory that it is entitled to recover from $750 to $150,000 for a single MP3 file.

This brief appears to have been written by a different attorney than the attorney in SONY BMG Music Entertainment v. Tenenbaum.

Like the Tenenbaum brief, this brief likewise ignores Parker v. Time Warner, Napster, UMG v. Lindor, and Atlantic v. Brennan, and the Georgetown and University of Texas Law Review Articles, all cited in the amicus curiae brief of the Free Software Foundation in Tenenbaum

US Department of Justice brief arguing constitutionality of RIAA's statutory damages theory

Commentary & discussion:

p2pnet.net
Copyrights and Campaigns
Intellectual Property Watch





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